The backup band, composed of Glenn Anderson on drums, Peter Hill on piano, Ross MacIntyre on bass, William Sperandei on trumpet and Richard Underhill on saxophone picked up the vibe of each performer with the speed of light. And, incidentally, the vibe did change almost at the speed of light, as each diverse act performed only three to four songs. These versatile players, many of them headliners themselves, filled the evening with a delicious interplay primarily between trumpet and sax, sometimes drums, and occasionally bass as musical shadows and light playfully jousted for most of the evening.
Organized by Toronto vocalist and actress Chantelle Wilson as a tribute to her late father, Wayne Wilson, it was an evening flowing, at once, with a sense of hope, community and catch-your-breath musicianship as each spectacular act rolled into the next.
The first act of Lickin' Good Fried's Alex Pangman and Colonel Tom Parker filled the room with bluegrass and blues-infused melodies allowing the honky tonk to ooze in a long, cool lemonade solo from Peter Hill's piano on the foot-stomping "Another Day, Another Dollar".
As the elegant June Garber took over the stage, her soothing vocals filled the crevices with the eternally hopeful "Somewhere Over The Rainbow". This piece she stated was "....why we are all here tonight". Rich Underhill's sultry sax interpretation on this piece was definitely a musical highlight of the evening. Layered over the dreamlike soft-shoe drumming of Mr. Anderson, the combination created much emotion and showcased Underhill's versatility.
Always an engaging performer, tonight, Ms. Garber`s heart and vocal chords worked in tandem to turn the audience to mush with her feather boa version of "Black Coffee".
Chantelle Wilson then took to the stage with Shannon Butcher for some mesmerizing harmonies reminiscent of their recently put to rest and sadly missed trio, Swing Rosie. Along with Kira Callahan, they performed and recorded for many years and this coming together reinforced the memory of their Andrews Sisters synergy.
Later, Ms. Butcher's sultry vocals melded with Mr. MacIntyre's meditative massaging of bass strings for Patsy Cline's "Walkin' After Midnight". In this duet, the spotlight finally focussed on the bass as he worked deftly up and down the fingerboard, in a gorgeous solo making up for the majority of the evening spent in the musical shadows.
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June Garber |
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Rich Underhill |
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