Susan and Dawn are two sisters driving along the highway to Dawn's wedding. Their sisterly banter slides easily back and forth, but the conversation quickly gets personal.

Then the car starts to drift, Dawn grabs the steering wheel, the car shoots off the highway, and they crash.

But the sisters are stuck in the bush — a place like the magical forest in Shakespeare's A Midsummer Night's Dream — where people are isolated from the constraints of society and their uncensored thoughts and desires freely emerge.

Flitting about in the bush is Woodpecker (Gregory Odjig), a trickster figure who gets quite a kick out of these foolish mortals. When Woodpecker's not doing magic tricks, he steals cigarettes and a purse from Susan, he finds wood to make a fire, constructs a canopy to shelter the two women, and starts and stops the rain, just because he can.

But there's one thing Woodpecker never does: "I never play with life and death."

In this earthy, sexual, and humorous play, we admire the two real-life Cheechoo sisters and their relaxed and naturalistic acting — so naturalistic, in fact, that I often forgot I was watching a rehearsed play. As for Gregory Odjig's Woodpecker, this character part was played — with all of its opportunities for highly energized acting turns, in a simple and unaffected way as well.

I won't give away the ending.

Let's just say I came home from Your Dream Was Mine and I saw the final scene in my head. I understood the poignancy of the title, and most importantly, I understood sister Dawn's observation that, "Love taps can sometimes be very bloody."